“Moon Light”draws its philosophical foundation from the cosmology of Zhuangzi, viewing species in nature as symbolic carriers of concepts and spirit. The flowers, birds, beasts, mountains, rocks, and plants in the exhibition are not objective representations but figurative expressions pointing to philosophical propositions such as finitude and infinity, nature and artifice, eternity and the fleeting moment. The creations are grounded in the Eastern spiritual tradition embodied by Chinese ink painting—a tradition rooted in humanity's innate reverence for nature and life, emphasizing intuitive grasp, subjective lyricism, and a serene yet profound aesthetic sensibility. With a deep understanding of classical Chinese painting techniques, the artist navigates the relationship between tradition and innovation with clear self-awareness. Unbound by established forms, the artist continually explores new possibilities in brushwork, composition, and materials. By combining traditional watercolors, mineral pigments, and metallic materials, the works achieve new visual layers and aesthetic experiences under light, forming a beautiful, rich, tranquil, and profound pictorial landscape. Centered on the creative concept of “animism,” the exhibition conveys emotions and aspirations through metaphor, symbolism, and the use of objects to express deeper meanings. It establishes a unified relationship between natural mediums, individual artistic language, and the spirit of artistic conception. This approach allows the works to resonate with viewers while offering vast imaginative space, revealing the warm beauty of life's harmony and perpetual vitality through contemplation of all things.